Views From The Kitchen

Introduction

I’ve got a new camera – the new Lumix DMC-G1, from Panasonic. I bought the body with the standard kit lens and also got the long zoom lens at the same time. The kit lens is the Lumix G Vario 14-45mm/F3.5-5.6 ASPH./Mega O.I.S. and the long zoom is the Lumix G Vario 45-200mm/F4.0-5.6/Mega O.I.S. model. The kit lens focal length range of 14-45 corresponds to 28-90 in 35mm terms and the long zoom has a 35mm equivalent of 90-400mm.

This article isn’t going to be your typical camera review and I’m not going to simply quote specifications. If you want something more structured and formal, please go and read the two reviews that I read before taking the plunge – they’re over at Luminous Landscape and Digital Photography Review. Instead, what I’ve aimed to provide here are the initial observations and reactions of a new owner of a G1.
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I went to Pollok Country Park late on the last afternoon of my recent holiday. Seeing me carrying my tripod, I was asked by a jogging passer-by, had I seen the spectacular sunset? Great – not only had I missed the late afternoon light, I had just missed a marvellous sunset…

I had seen low-lying mist as I drove into the park and, having left the car just beyond Pollok House, I could now see that the ground was quite frosty – it really looked quite wintery. It certainly was a cold day and I was glad I had recently started carrying my gloves again. Walking along the riverside path, I passed the mill and continued for another five, maybe ten, minutes or so, before turning back. I figured that I wasn’t going to get any useable shots since the sun had dropped below the horizon and it was beginning to get dark. Happily though, I was proven wrong…
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Alloway’s auld haunted kirk was the location of the demonic gathering of witches in Robert Burns’ classic poem “Tam o’ Shanter”. For those of you who might be unfamiliar with the story which was first published in 1791, here’s a summary of the opening verses, just to set the scene…

Having spent the evening carousing in congenial company in a warm, dry inn, our hero Tam finally sets out reluctantly into the wild, stormy night to go home, to his wife. (Where sits our sulky sullen dame. Gathering her brows like gathering storm. Nursing her wrath to keep it warm.)

Knowing the journey home through wind and rain to be dangerous, he keeps his eyes open for supernatural peril. (Whiles glowring round wi’ prudent cares, lest bogles catch him unawares.) On the way, he has to pass the old church (the auld kirk) in Alloway, whare ghaists and houlets nightly cry. As he draws near, he sees the place is ablaze with light (Kirk-Alloway seem’d in a bleeze). Not only that, it seems that there’s some sort of a shindig in progress (and loud resounded mirth and dancing). Emboldened by his inebriated state, he urges his horse, his gray mare, Meg, onward to get a closer look…

Although Burns doesn’t specify a date for the story, it seems fair to recount the events today – on Hallowe’en.

I visited the scene a shade over two years ago and got the following atmospheric shot as dusk fell. While the council had seen fit to install some external lighting, there was no sign of the warlocks and witches in a dance witnessed by Tam… Still, I did manage to get this spooky photo of the ruined church.
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This is from my May short break last year. I’d spent the last 90 minutes or so about three miles back along the road, pottering about at Loch Nan Uamh. The sun was setting and the light had been pretty good. However, all good things must end and I had to be back at the hotel (the Lochailort Inn) by 8pm to order my evening meal before the kitchen closed. I cut it close leaving Loch Nan Uamh, wanting to maximise my shooting time. As I drove towards the hotel, I could see that the clouds in the sky ahead of me were pretty dark. With the sun setting behind me and rain coming from in front I was suddenly presented with this marvellous rainbow.
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Okay – so I didn’t manage to increase my posting frequency, as I said I hoped to in my previous post. Sorry folks!

I am definitely going to try harder this time – honest!

I’m also giving up on the idea of making photos appear in a post which appeared to have been published on the day that the photos were taken. For me, it’s the right way to do it – so that this site forms a sort of chronological gallery. Instead, I’ll just do it the way that millions of other people do – the most recent post will appear at the top of the main page and the shooting date will appear within the post. Ah well…

After several months of apparent inactivity in the kitchen, I have finally upgraded the site with my new theme (design). Yay! Expect new posts to appear a little more regularly.

For those of you who would not be appreciative of the technical details, it mainly means that I can now post larger images. The first example of this is the Craignethan Castle post.
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Craignethan Castle, a Historic Scotland property, is located in the Clyde Valley. The castle was built in the early 1530s and only lasted as a fortification for about 50 years before being demilitarised. Construction was started by an illegitimate son of James Hamilton, the 1st Earl of Arran – Sir James Hamilton of Finnart. Sir James went on to become Master of Works to King James V from 1536 to 1540. He might have continued in this post for longer had he not fallen from royal favour and been executed for alleged treason in 1540.

One well known guest at the castle was Mary, Queen of Scots. Forced to abdicate in 1567 while imprisoned in Loch Leven Castle, she escaped the following year and was sheltered/entertained for a while at Craignethan Castle.
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Over the past couple of days, the weather has been marvelous photography weather – crisp winter days with bright sun and clear, blue skies – and I’ve been stuck in the office, looking out. This residential block at Cowcaddens Road and Port Dundas Road, not far from where I work, is known as "The Matrix". I had spotted that at lunchtime the sun illuminates the south-facing main side of this apartment block quite nicely, bringing out the colour in the various panels. I’m not a big fan of this building normally, but it’s not so bad when lit this way.
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For the benefit of visitors who don’t use the RSS feed, I have just added: “Oban At Dusk“, taken on 2003-12-07.

I didn’t leave Ballachulish until the sun had set, so my drive down to Oban began in the dusk and ended in the dark. That was a pity since it seems to be an attractive drive. However, the Oban plan was for after-dark shots, so this didn’t matter too much. The first objective was to drive up to McCaig’s Folly.

I had planned to go out to the observation platform and get a shot of Oban from overhead, with the various different street lights and window lights and all their different reflections. I got a shot of that several years ago with my then “camera of the day” that I wanted to try to repeat – and hopefully improve upon – with my current camera. However, I think the floodlights can’t have been on then since shooting between them made it pretty much impossible this time. I had to settle for this dramatic shot from the inside…
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